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on actress Abby Dalton with a headline that screamed: "Axed Abby Dalton Asks Enquirer . . .
Ladders are Judith Vogt's currently consuming image--quite a change from earlier crosses and boxes that bristled with nails and emitted a shudder of dangerous intimacy.
Sheila Elias' art appears to be about 50% chutzpah, 50% glitter and goo.
Gillian Theobald's paintings usually focus on such cataclysmic events as storms, volcanoes and tornadoes.
Like a ship's sail stretched into a curve by a brisk wind, Brian Skelton's welded steel sculptures arch into space.
Carl Schmidt's diagrammatic paintings are typical of a current trend that critics have labeled "Supermannerism."
Following the tradition of Japanese "Mu" or Zero paintings, Kyoko Maruta's coolly meditative abstractions are based on the Taoist principle of representing the void through the accentuation of positive space.
Jay Willis is a familiar fixture of the Los Angeles exhibition scene with more than a decade-long history of showing abstract, metal sculpture.
Art aficionados who've followed the activities of the Cirrus Gallery since its inception in the early Seventies have come to recognize a distinctive Cirrus style.
Charles Christopher Hill emerged during the early 1970s with mixed-media works of stitched together newsprint, muslin or cheesecloth.
Robert Cumming isn't as well known as Julian Schnabel but he certainly helped pioneer the line of thinking that led to the hottest new art-isms, Appropriationism and Simulationism.
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Martin Gunsaullus paints well enough that he could afford to dispense with the gimmick that's currently gumming up his pictures.
Janice DeLoof's work is about her relationship with her family, the place she lived as a child, and her present home.
A 10-year survey of metal wall constructions by the late Steve Kingman reveals an austere sensibility that was in the process of opening into an exotically baroque bloom.
A free-wheeling installation by Jim Lawrence puts one in mind of the small-town kook who converts his front yard into some kind of manic vision whose meaning is known only to him.
Alice Fellows shows intriguing large-scale canvases of tightly packed, amorphous blades and vines in tropical hues.